Note 01
Oil vs. acrylic: choosing your first medium
Oils stay workable for days and blend softly; acrylics dry in minutes and clean up with water. Pick the pace that suits how you think.
Professional Fine Art Supplies
Colour with intent.
Studio-grade oils, acrylics, brushes and surfaces — selected for painters who care about pigment, texture and craft.
- High-pigment formulas
- Carefully packed
- Easy 30-day returns
Titanium WhiteBurnt SiennaUltramarineCadmium YellowSap GreenAlizarin CrimsonRaw UmberIvory BlackTitanium WhiteBurnt SiennaUltramarineCadmium YellowSap GreenAlizarin CrimsonRaw UmberIvory Black
The Catalogue
Shop by collection
Featured
The Studio Selection
Method
From pigment to canvas
- 01
Select pigments
Start with a limited palette — a warm and cool of each primary plus white teaches you more than a box of fifty.
- 02
Prepare your surface
Apply two or three thin coats of gesso, sanding lightly between them for a smoother finish.
- 03
Build your palette
Lay colours out in the same order every session so your hand learns where to reach.
- 04
Paint
Work lean to fat in oils — thin early layers, richer layers on top — to keep the paint film sound.
Why NJ ENTREPRISE
A studio supplier, built around the painter.
Rich Pigmentation
High pigment load for strong, clean colour.
Complete Studio
Oils, acrylics, mediums, brushes, surfaces and easels in one place.
Considered Packaging
Tubes, brushes and canvases packed to arrive in perfect condition.
Human Support
Real replies from our team within 1 business day.
Painter's Notes
Small lessons from the studio
Note 02
How to prime a canvas properly
Thin coats beat one thick coat. Brush each layer at right angles to the last and let it dry fully before the next.
Note 03
Caring for natural bristle brushes
Wipe out excess paint, wash with mild soap until the water runs clear, reshape the tip and dry flat.